COURAGE

gyűjtemények hálózata

Until recently, the concert posters in the Mihai Manea collection were, to a large extent, for private use; they were accessible only to their owner and a few of his friends. The appearance and development of social media lifted some of the documents in this collection out of their condition of exclusively private objects. A part, so far a small part, of these posters have been scanned, uploaded, and distributed on Mihai Manea’s Facebook account and those of his friends. “It is my intention, in time, to upload all the concert posters that are still in my possession. I hope that by giving them another body – an electronic one, so to speak – their life will perhaps be longer than it would have been if they had remained only in paper format. Of course I’m not going to give up the paper ones, the originals. I’ll keep them as well as I can. But I think it’s better that they should be in two places than in just one place,” says Mihai Manea.

The aim of the digitization is not purely utilitarian, however, but at the same time emotional-evocative and rational-educative. “It is, of course, also a form of nostalgia, because, ultimately, these concert posters are about my life, about my youth, about my passions. But I think there is also something about them, in them, that goes beyond my person. They are documents, perhaps not very spectacular, but in any case, I’m convinced, quite rare out of all that has been preserved from the 1970s and 1980s of music in Romania. Why shouldn’t I hand them on to others?” Thus, from a collection developed out of passion and conserved only in the private space, the Mihai Manea collection has become one that is disseminated completely free to the public, basically an online exhibition through which the passion of a collector brings its contribution to enriching the collective memory of communism in Romania. As in other cases, the springboard of this dissemination is the desire to share with future generations a part of the past that is not only that of the collector, but that of a whole generation who made the transition from communism to democracy. The address at which Mihai Manea’s Facebook account can be found is: https://www.facebook.com/manea.mihaicroco 

Božidar Mandić spoke about his work and ideas on a panel discussion that followed the opening of the exhibition in MCAV. Subsequently, the curator and author of the exhibition, Nebojša Milenković, and Mandić guided a professional exhibition tour, which can be seen on the YouTube channel of SEEcult, an online platform dedicated to culture in Southeast Europe.

In 2015 the White Brotherhood – Bulgaria organized the First National Conference "Peter Danov, the Master, in the Cultural Space of Bulgaria". Because of the great interest, the initiative grows in a series of meetings devoted to Peter Danov organized each year in September in the city of Varna. Hristo Vatev presented his e-library at the Second and Third Conferences in 2016 and 2017 with contributions on “the modern methods of distribution of the beliefs of Master Peter Danov”.

The Fourth Conference of the same name was held in September 2018. The conferences bring together researchers from various disciplines – religion, literature and literary history, history, archival, and documentary studies, political science, culture, pedagogy, etc. They include university and school lecturers as well as Ph.D. students, esoteric researchers, writers, poets, musicians, psychologists and others.

Facebook conference page: https://www.facebook.com/konferenciyauchitelya/ (24.08.2018)

In 2015, the "Commission for Disclosure of Documents and Announcing Affiliation of Bulgarian Citizens with the State Security and the Intelligence Services of the Bulgarian National Armed Forces" (Bulgarian acronym: CRDOPBGDSRSBNA), commonly known as "Commission for Dossiers" published collected archival documents about the relationship between the State Security and the Bulgarian intelligentsia, with an introductory chapter. The printed volume includes 72, the e-version 144 archival documents: reports by agents, action plans, various information by intelligence agents and other documents, arranged chronologically. The book appeared as volume N 31 in the series "From the Archives of the DS [State Security]".

In 2015, the Video Archive of the Academic Research Center of the Academy of Fine Arts in Prague published a DVD “Czech Performance Art: Film and Video, 1956–1989” edited by Pavlína Morganová, Terezie Nekvindová and Sláva Sobotovičová. This DVD gathers together rare visual recordings of interventions, performance pieces and happenings from the period before 1989 in Czechoslovakia. In the 1970s and 1980s, Czech performance art became a part of the unofficial art scene. DVD includes works by Vladimír Ambroz, Vladimír Boudník, Eugen Brikcius, Josef Daněk – Blahoslav Rozbořil, Milan Grygar, Vladimír Havlík, Lumír Hladík, Milan Knížák, Křižovnická škola čistého humoru bez vtipu, Rudolf Němec, Tomáš Ruller, Zorka Ságlová, Jiří Sozanský, Miloš Šejn, and Robert Wittmann.