a totalitárius rendszerek üldözöttjei alternatív oktatási forma
alternatív életmód és hétköznapi ellenállás
avantgárd, neoavantgárd
békemozgalom
cenzúra
demokratikus ellenzék
diákmozgalom
emberi jogokért küzdõ mozgalom
emigráció
etnikai mozgalom
film filozófiai/elméleti mozgalmak
független sajtó
hazafias mozgalom
ifjúságkultúra
irodalom és irodalomkritika
kisebbségi mozgalom kritikai tudomány
képzõmûvészet környezetvédelem
lelkiismereti okokból tiltakozók megfigyelés, ellenőrzés médiamûvészet népművészet
nőjogi mozgalmak
populáris kultúra pártellenzék
szamizdat és tamizdat
színház- és előadóművészet
tudományos kritika társadalmi mozgalom
underground kultúra
vallási mozgalmak
vizuális művészet zene
bútor
egyéb egyéb levéltári iratok egyéb mûalkotások eseménydokumentáció
festmények
film
fényképek
grafika
hangfelvételek
ipar- és népmûvészet
jogi és/vagy pénzügyi dokumentáció
kiadványok
képregény és karikatúra kéziratok
műtárgy
szobrok
technikai felszerelés
videófelvételek
zenei felvételek
öltözék
The private collection created and owned by Piotr ‘Pietia’ Wierzbicki contains hardcore punk fanzines, articles, and papers from the 1980s, including the original matrices of ‘QQRYQ’ fanzine edited and published by Wierzbicki from 1985. ‘QQRYQ’ was the leading Polish magazine about the underground punk scene and Wierzbicki became an influential author and promoter on that scene.
Polish Rock Granary in Jarocin, a branch of the Regional Museum, possesses a unique collection of photographs, documents, and films related to the history of Polish rock music, dated from 1959 until today. The most interesting exhibits are presented at a permanent exhibition, available also on-line. The history of Polish rock is not only the evolution of the genre and styles, bands, albums, concerts, and festivals; it is also the dissent against the dominant culture and the search for an alternative. The location of Polish Rock Granary is by no means coincidental. In the 1980s the small town of Jarocin hosted the Rock Musicians’ Festival that attracted rock music fans and alternative culture participants from all over Poland, and even from Czechoslovakia and GDR.
Polja magazine [Fields in English], is one of the longest running periodicals in the former Yugoslavia, and was first published in 1955 in Novi Sad. Throughout 506 issues, Polja has covered important periods in Yugoslav cultural history and has featured young authors in the fields of literature, cultural theory, and literary and film criticism. The magazine has a history of providing a platform for social criticism, as it became inseparable from the youth-led organization Tribina mladih [Tribune of Youth] which criticized the social and political situation in the country and the culture of its time.
The collection at the Popmuseum includes both written and audiovisual archive materials and other tangible artefacts that relate to Czech and Slovak pop music. The institution, besides running the museum and holding popular activities, also manages a large archive. The collection is the biggest of its kind in the Czech Republic. Pop music, not only rock, is seen by the museum in a complex context but the collection and the exposition describe opposition activities connected with the phenomenon of “West” and “undesirable” music genres from 1950s until 1980s in Czechoslovakia as well.
The collection Public Against Violence is a large archival collection that documents the activities of this movement during the Velvet Revolution in 1989 and then as a political party until 1992. This collection contains valuable materials, including letters from the public and other documents, thematising the presence of cultural opposition.