The Student Cultural Center (
Studentski Kulturni Centar - SKC), a gathering place for Belgrade students and young Yugoslav artists, was founded and began operations in 1971. During the 1970s, it became a hub of avant-garde movements, ideas and individuals. It played an important role in youth culture of Yugoslavia in the 1970s and 1980s. The SKC archive has rich collections of written and visual materials from socialist Yugoslavia and is an essential place for the study of cultural and artistic scenes in the era of socialism.
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The Alternative Theatre Archive is a research and archival project led by the Zbigniew Raszewski Theatre Institute in Warsaw with support of the KARTA Center Foundation. Its aim is to collect, gather in one location and digitize documents, prints, recordings, photographs and all other archival materials on the alternative theatre movement in Poland in the 1970s and the 1980s.
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Warszawa Jazdów 1, Poland 00-467
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The Archive of the Opposition to the GDR, founded by the Robert-Havemann Society, is the largest and most significant amongst the so-called ‘reappraisal archives’. With its impressive collection of personal documents, the Archive offers a wealth of alternative and contrasting source material to that found in state and party files.
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10437 Berlin Schliemannstraße 23 , Germany
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The collection is a private documentary collection of documents concerning one of the most successful Hungarian American advocacy organizations in the field of minority and human rights. Founded in 1976 by second-generation Hungarian American intellectuals and professionals and referred to until 1984 as the CHRR–Committee for Human Rights in Romania, HHRF addressed the advocacy on behalf of Hungarian minorities in Central and Eastern Europe.
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Artistic Archive of the Studio Theatre and the Jerzy Grzegorzewski Section contain all the materials created by the theatre group since 1972 until today (the archives created before 1972 are deposited at the Zbigniew Raszewski Theatre Institute in Warsaw). This collection is a unique testimony of how the theatre functioned in the 1970s and the 1980s, trying to stay artistically and politically independent in the times of great cultural divisions in Poland. Especially the documents from the 1980s, during Jerzy Grzegorzewski's mandate as a director of the Theatre, provide a particularly interesting overview of the life of the institution at that point. Each play has its own dossier, containing different versions of scripts, notes of the theatre group, as well as video and audio recordings, which give an insight into the process of working on domestic and foreign plays at the dynamic times of political transformations and the martial law in Poland.
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Warszawa plac Defilad 1, Poland 00-901
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