a totalitárius rendszerek üldözöttjei alternatív oktatási forma
alternatív életmód és hétköznapi ellenállás
avantgárd, neoavantgárd
békemozgalom
cenzúra
demokratikus ellenzék
diákmozgalom
emberi jogokért küzdõ mozgalom
emigráció
etnikai mozgalom
film filozófiai/elméleti mozgalmak
független sajtó
hazafias mozgalom
ifjúságkultúra
irodalom és irodalomkritika
kisebbségi mozgalom kritikai tudomány
képzõmûvészet környezetvédelem
lelkiismereti okokból tiltakozók megfigyelés, ellenőrzés médiamûvészet népművészet
nőjogi mozgalmak
populáris kultúra pártellenzék
szamizdat és tamizdat
színház- és előadóművészet
tudományos kritika társadalmi mozgalom
underground kultúra
vallási mozgalmak
vizuális művészet zene
bútor
egyéb egyéb levéltári iratok egyéb mûalkotások eseménydokumentáció
festmények
film
fényképek
grafika
hangfelvételek
ipar- és népmûvészet
jogi és/vagy pénzügyi dokumentáció
kiadványok
képregény és karikatúra kéziratok
műtárgy
szobrok
technikai felszerelés
videófelvételek
zenei felvételek
öltözék
Noor-Tartu (Young-Tartu) was a non-institutional student movement in Tartu between 1979 and 1984 (from 1979-1981 it was called Kodulinn, or Hometown). It was formed mostly by history students who wanted to do something useful for their city, without being connected to any official institution. Arranging urban space, collecting antiquities and organising cultural events were the main activities of the movement. Various pieces of material (announcements, newspapers, overviews, photographs) about these activities have been preserved. Today, this material forms an unofficial private collection owned by the core group of the Noor-Tartu movement.
The Youth Subcultures Ad-hoc Collection at CNSAS comprises documents created or collected by the Romanian secret police, the Securitate, about the emergence and development of Western-inspired subcultures among the members of the younger generation in Romania, subcultures which the communist regime considered harmful for their education and whose influence it thus tried to counteract. This collection illustrates that young people even in an isolated country like Romania in the 1970s and the 1980s still became exposed via Western broadcasting agencies to Western cultural goods, especially to music, which made them adopt alternative life styles and wear provocative outfits in order to build distinctive collective identities. Out of the many young people who attracted the unwanted attention of the Securitate two cases stand out and are featured in this ad-hoc collection: Clubul Regilor Liberi (The Club of the Free Kings) in Brăila and Organizația Tinerilor Liberi (The Organisation of Free Young People) in Bistrița.
This private collection consists of around 150 leaflets produced by Yugoslav Cominformist emigrants in Prague during the period 1971–76. It is owned by the historian Ondřej Vojtěchovský and it is located in his apartment in Prague. The significance of this collection lies in its analysis and criticism of the Yugoslav socialist regime from the radical leftist point of view by emigrants in an Eastern Bloc country.