The personal collection of Milan Knížák (born 1940), a Czech artist, poet and founder of the group Aktual, contains unique books of the events organised by Aktual, one of the sources mapping the life of the provocative artist, the Czechoslovak underground and alternative art of the 1960s.
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Strahovské nádvoří 1, 118 38 Praha 1 - Hradčany, Czech Republic
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Miodrag Mica Popovic (1923-1996) was a painter, art critic, writer and academician. Popovic's lifestyle itself can be described as in cultural opposition to the regime and government that imposed its own ideological forms. Until the end of his life, he clearly demonstrated his incompatibility with the system, which let him stay faithful to the ideal of free thinking and expression. The images from the series the ‘Scenes Painting’ [Slikarstvo prizora] stem from the period between 1968 to 1971. Through that series the artist critized the social and political circumstances in socialist Yugoslavia.
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The film and television work of the unconventional screenplay writer and director Nikša Fulgosi (1919-1996) is a component of the cultural heritage, which in a peculiar way testifies to the culture of dissent in the period of socialism in Croatia and Yugoslavia. Many of Fulgosi's film works remained unfinished or were "put in the vault" after their completion because the censors considered them unfit for the public. Fulgosi made the first television documentary series about sex for the Zagreb Radio Television in the late 1970s, which was only partially aired.
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Zagreb Savska cesta 131, Croatia 10000
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Fulgosi, Nikša, dir. A Hundred Beauties per Day, 1971. Film
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Fulgosi, Nikša, dir. Little Jole, 1955. Film
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Fulgosi, Nikša, dir. Romantic Problems of Pepek Gumbas and Marijeta Buble, 1970s.TV series
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Fulgosi, Nikša. Screenplay for the movie “The Late Handshake," 1965. Typescript
A collection of works of naive art on political and socio-critical topics, created by the amateur artist Paul Kondas. Paintings depicting these themes in Estonian history were not allowed during the Soviet period.
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71003 Viljandi Pikk 8 , Eesti
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The Pitch-In Culture was a unique phenomenon of Polish cultural landscape of the 1980s. This informal community brought together radical, critical, and progressive artists from two different generations: the former members of the Zero-61 group and the Film Form Workshop, who had begun their activities back in the 1960s and their younger colleagues, who were breaking up with conceptualism and the ethos of the avant-garde. The nihilistic, anarchistic, neo-Dada circle of the Pitch-In Culture distanced itself both from the state-supported art and from the so-called “church” art created by artists related to the political opposition. The Pitch-In Culture Collection presents artists, their works, manifestos and texts, as well as the documentation of exhibitions and artistic performances.
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