The film and television work of the unconventional screenplay writer and director Nikša Fulgosi (1919-1996) is a component of the cultural heritage, which in a peculiar way testifies to the culture of dissent in the period of socialism in Croatia and Yugoslavia. Many of Fulgosi's film works remained unfinished or were "put in the vault" after their completion because the censors considered them unfit for the public. Fulgosi made the first television documentary series about sex for the Zagreb Radio Television in the late 1970s, which was only partially aired.
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Zagreb Savska cesta 131, Croatia 10000
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Fulgosi, Nikša, dir. A Hundred Beauties per Day, 1971. Film
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Fulgosi, Nikša, dir. Little Jole, 1955. Film
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Fulgosi, Nikša, dir. Romantic Problems of Pepek Gumbas and Marijeta Buble, 1970s.TV series
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Fulgosi, Nikša. Screenplay for the movie “The Late Handshake," 1965. Typescript
The No Art Collection is a part of the Anti-Museum founded by Vladimir Dodig Trokut. It consists of characteristic avant-garde and post-avant-garde artefacts. The Anti-Museum’s No Art Collection was established during the many years of Trokut’s activity as a member of the informal cultural opposition, which was supported by prominent individuals and public personalities, such as artists and politicians like Koča Popović and Jure Kaštelan.
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Zagreb Ulica Nikole Tomašića, Croatia 10000
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Polish Rock Granary in Jarocin, a branch of the Regional Museum, possesses a unique collection of photographs, documents, and films related to the history of Polish rock music, dated from 1959 until today. The most interesting exhibits are presented at a permanent exhibition, available also on-line. The history of Polish rock is not only the evolution of the genre and styles, bands, albums, concerts, and festivals; it is also the dissent against the dominant culture and the search for an alternative. The location of Polish Rock Granary is by no means coincidental. In the 1980s the small town of Jarocin hosted the Rock Musicians’ Festival that attracted rock music fans and alternative culture participants from all over Poland, and even from Czechoslovakia and GDR.
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Jarocin Poznańska 2, Poland 63-200
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Polja magazine [
Fields in English], is one of the longest running periodicals in the former Yugoslavia, and was first published in 1955 in Novi Sad. Throughout 506 issues,
Polja has covered important periods in Yugoslav cultural history and has featured young authors in the fields of literature, cultural theory, and literary and film criticism. The magazine has a history of providing a platform for social criticism, as it became inseparable from the youth-led organization
Tribina mladih [Tribune of Youth] which criticized the social and political situation in the country and the culture of its time.
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The collection at the Popmuseum includes both written and audiovisual archive materials and other tangible artefacts that relate to Czech and Slovak pop music. The institution, besides running the museum and holding popular activities, also manages a large archive. The collection is the biggest of its kind in the Czech Republic. Pop music, not only rock, is seen by the museum in a complex context but the collection and the exposition describe opposition activities connected with the phenomenon of “West” and “undesirable” music genres from 1950s until 1980s in Czechoslovakia as well.
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Bělohorská 201/150, 169 00 Praha 6 - Břevnov, Czech Republic
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